Graindelavoix (BE): Josquin the Undead

“Josquin the Undead” opens the “Stimmliche Parallelen” series with one of the internationally most significant vocal ensembles for early music. Graindelavoix and its artistic director Björn Schmelzer have decisively shaped the performance practice of early music with their distinctive sound language and uncompromising approach to historical scores.
At the center of the program is the Septiesme livre de chansons, published in 1545 by Tielman Susato in Antwerp. Appearing twenty-four years after Josquin Desprez’s death, this volume is dedicated exclusively to his music — an extraordinary document of musical memory in the 16th century.
Late chansons by Josquin such as Nymphes des bois, Faulte d’argent, and Baisiez moy encounter mourning motets by his contemporaries, including Gombert’s Musae Jovis. Quotations migrate from work to work, motifs return transformed, compositions seem to recall one another. Powerlessness, love’s failure, melancholy, and death form the inner horizon of a music in which memory itself becomes musical form.
“Josquin the Undead” is one of Graindelavoix’s outstanding programs. The recording of the same name was awarded the German Record Critics’ Award in 2022.
Program
Josquin des Prez
Praeter rerum seriem
Nicolas Gombert
Musae Jovis
Josquin des Prez
Baisiez moy
Josquin des Prez
Parfons regretz
Josquin des Prez
Nymphes nappées
Josquin des Prez
Plusieurs regretz
Josquin des Prez
Nymphes des bois
Josquin des Prez
Douleur me bat
Bernardino de Ribera
Vox in Rama
Giaches de Wert
Vox in Rama audita est
Graindelavoix
Teodora Tommasi, Soprano
Florencia Menconi, Soprano
Andrew Hallock, Alto
Albert Riera, Tenor
André Pérez Muíño, Tenor
Marius Peterson, Tenor
Tomàs Maxé, Baritone
Arnout Malfliet, Bass
Floris De Rycker, Lute
Björn Schmelzer, Artistic director

Graindelavoix
Founded in 1999, Graindelavoix is an Antwerp-based music and art ensemble. Helmed by founder-director Björn Schmelzer, it is committed to offering a contemporary and critical interpretation of mainly historical, vocal repertoires
The ensemble’s artistic allure, distinctive sound, plastic performance style and rigorous programming—the whole characterised by an uncanny touch—makes it both unique and difficult to situate in the current artistic landscape. Its critical questioning of old repertoires—their aesthetic and political dimensions, their displacement and alienation—meanwhile often leads to controversial performances in which the audience is not just challenged but also made complicit

Björn Schmelzer
Björn Schmelzer is a conductor, writer, artist, filmmaker and anthropologist. As artistic director of the Antwerp music ensemble Graindelavoix, he has produced seventeen CDs (plus assorted hybrid-format works), while regularly putting on concerts in Belgium and abroad, and undertaking residencies at art institutions.